All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 
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Diego Velazquez Three Musicians oil on canvas


Three Musicians
Three Musicians
Painting ID::  741 		  Gemaldegalerie, Berlin
  Gemaldegalerie, Berlin

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Diego Velazquez Philip IV in Army Dress oil on canvas


Philip IV in Army Dress
Philip IV in Army Dress
Painting ID::  743 		  1644 Frick Collection, New York
  1644 Frick Collection, New York

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Diego Velazquez Mercury and Argus oil on canvas


Mercury and Argus
Mercury and Argus
Painting ID::  744 		  1659 Museo del Prado, Madrid
  1659 Museo del Prado, Madrid

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Diego Velazquez The Infanta Margarita oil on canvas


The Infanta Margarita
The Infanta Margarita
Painting ID::  745 		  Museo del Prado, Madrid
  Museo del Prado, Madrid

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Diego Velazquez Philip IV-g oil on canvas


Philip IV-g
Philip IV-g
Painting ID::  746 		  1653-55 Museo del Prado, Madrid
  1653-55 Museo del Prado, Madrid

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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